One Step Back, Two Steps Forward
By: Dan Palladino
Back in my teenage days, I read a great quote by Robin
Trower in Guitar Player Magazine. He was discussing how most guitarists don't
go back and explore who came before them. He said, "Don't listen to me and
cop my stuff. Go back and listen to BB King. Learn who influenced him and
check that out."
That was probably some of the best advice I'd ever gotten, and from that point
on, I made it my business to go back and see where everything came from. How
about you? Do you know the lineage of your favorite players? We guitar players
are especially notorious for feeding on ourselves. Sometimes, it seems like
the furthest back we are willing to go is Eddie Van Halen.
Why don't we follow a few players back in time and see if we can't discover
some new cats to listen to. How about Van Halen? Who was he into when he was
coming up? Hendrix, Clapton, Beck, Page, Blackmore. Who did THEY listen to?
Muddy Waters, The Kings (BB, Freddie and Albert), Robert Johnson, Buddy Guy,
Cliff Gallup. Who did THEY listen to? T-Bone Walker and Guitar Slim.
The Red Hot Chili Peppers fused funk with punk and came up with their own
brand of groove music. Guitarist John Frusciante is obviously into Hendrix,
but have you investigated the funk players who influenced him? Check out George
Clinton's baby, Parliament/Funkadelic. There are tons of albums to listen
to by this collective. Eddie Hazel's playing on "Maggot Brain" is especially
noteworthy. How about the inventor of funk, James Brown? Jimmy Nolen, the
guitarist on many of the hits, is the bible when it comes to funky guitar
playing. Dig in and discover where it all came from.
Don't just listen to the guitarists either. You can learn a lifetime's worth
of licks from JB's horn players, Maceo Parker, Alfred "Pee Wee" Ellis and
trombonist, Fred Wesley. Horn players use a completely different phrasing
approach than guitar players. Why not learn some horn solos and apply them
to guitar?
One of my all-time favorite players is Pat Metheny. He was influenced by trumpet
players as well as guitarists. You can't play jazz guitar without going through
Wes Montgomery, George Benson, Pat Martino, Joe Pass, Django Reinhardt, Charlie
Christian and Kenny Burrell. On the trumpet, Louis Armstrong, Clifford Brown,
Dizzy Gillespie, Miles Davis, Freddie Hubbard and Lee Morgan.
No discussion of jazz would be complete without paying homage to Charlie Parker,
John Coltrane, Thelonious Monk, Bud Powell, Sonny Rollins, Cannonball Adderly,
Coleman Hawkins, Dexter Gordon, Stan Getz, Art Blakey, Max Roach and Bill
Evans. These great musicians have appeared on thousands of albums. All you
need to do is discover them.
Another hero of mine is Jon Lord, of Deep Purple. In my opinion, he is the
greatest rock organ player to ever live. I learned that he was into Jimmy
Smith, so I searched out records by Smith and was blown away! That led me
to jazz organists Jack McDuff, Jimmy McGriff, Larry Young and Big John Patton.
The organ group sound remains one of my favorites to this day.
If you are into R&B, you should head straight to the Motown records. The small
group of musicians who played on all of those records, including the mother
of all bassists, James Jamerson, defined the very essence of that music. Don't
forget to check out the Memphis Stax/Volt guys too. Steve Cropper, Duck Dunn,
Booker T. Jones and Al Jackson were responsible for some of the coolest tunes
by Otis Redding and Sam and Dave. Throw in the New Orleans funk of The Meters
and you have the history of R&B right there in front of you.
Metal guitarists absolutely must go back and learn every tune Black Sabbath
ever did. That dark, grinding sound didn't exist before Tony Iommi cranked
up the SG. Not only is he responsible for some of the greatest riffs ever,
but check out the down-tuned guitars on "Volume 4". That's right; Korn, Limp
Bizkit and Soundgarden wouldn't exist if it weren't for Iommi and Sabbath.
No matter what style of music you're into, you should try to become a musical
detective. Find out who your heroes were into and listen to everything you
can by them. Go back as far as you possibly can, so you can see the thread
that runs through the music. You will become a better-informed, more well
rounded musician and better opportunities will follow. Good luck!
Article Source: http://www.articlesofnote.com
Dan Palladino is a guitarist, composer and owner of Riddleworks Productions. He is also an instructor in the music technology department at County College of Morris, Randolph, NJ. Dan can be reached at dano@riddleworks.com.